Lay Down Sally Midi File
Sea shanty Wikipedia. Sailors sang shanties while performing shipboard labor. A sea shanty, chantey, or chanty is a type of work song that was once commonly sung to accompany labor on board large merchantsailing vessels. The term shanty most accurately refers to a specific style of work song belonging to this historical repertoire. A%2F%2Ffarm8.staticflickr.com%2F7177%2F6976748566_bf31f0aa23_b.jpg&hash=44eb5dfb695eacd92be3c3c6b793217d' alt='Lay Down Sally Midi File' title='Lay Down Sally Midi File' />However, in recent, popular usage, the scope of its definition is sometimes expanded to admit a wider range of repertoire and characteristics, or to refer to a maritime work song in general. Of uncertain etymological origin, the word shanty emerged in the mid 1. American style merchant vessels that had come to prominence in decades prior to the American Civil War. Shanty songs functioned to synchronize and thereby economize labor in what had then become larger vessels having smaller crews and operating on stricter schedules. The practice of singing shanties eventually became ubiquitous internationally and throughout the era of wind driven packet and clipper ships. Shanties had antecedents in the working chants of British and other national maritime traditions. HL_DDS_0000000000716443.png' alt='Lay Down Sally Midi File' title='Lay Down Sally Midi File' />They were notably influenced by songs of African Americans, such as those sung whilst manually loading vessels with cotton in ports of the southern United States. Shanty repertoire borrowed from the contemporary popular music enjoyed by sailors, including minstrel music, popular marches, and land based folk songs, which were adapted to suit musical forms matching the various labor tasks required to operate a sailing ship. Such tasks, which usually required a coordinated group effort in either a pulling or pushing action, included weighing anchor and setting sail. The shanty genre was typified by flexible lyrical forms, which in practice provided for much improvisation and the ability to lengthen or shorten a song to match the circumstances. Its hallmark was call and response, performed between a soloist and the rest of the workers in chorus. The leader, called the shantyman, was appreciated for his piquant language, lyrical wit, and strong voice. Shanties were sung without instrumental accompaniment and, historically speaking, they were only sung in work based rather than entertainment oriented contexts. Although most prominent in English, shanties have been created in or translated into other European languages. The switch to steam powered ships and the use of machines for shipboard tasks, by the end of the 1. Macromedia [2005] Dreamweaver 8. Their use as work songs became negligible in the first half of the 2. Information about shanties was preserved by veteran sailors and by folklorist song collectors, and their written and audio recorded work provided resources that would later support a revival in singing shanties as a land based leisure activity. Commercial musical recordings, popular literature, and other media, especially since the 1. The modern performance contexts of these songs have affected their forms, their content, and the way they are understood as cultural and historical artifacts. Recent performances range from the traditional style of practitioners within a revival oriented, maritime music scene, to the adoption of shanty repertoire by musicians in a variety of popular styles. EtymologyeditThe origin of the word shanty is unknown, though several inconclusive theories have been put forth. One of the earliest and most consistently offered derivations is from the French chanter, to sing. The phenomenon of using songs or chants, in some form, to accompany sea labor preceded the emergence of the term shanty in the historical record of the mid 1. One of the earliest published uses of this term for such a song came in G. E. Clarks Seven Years of a Sailors Life, 1. Narrating a voyage in a clipper ship from Bombay to New York City in the early 1. Clark wrote, The anchor came to the bow with the chanty of Oh, Riley, Oh, and Carry me Long, and the tug walked us toward the wharf at Brooklyn. While telling of another voyage out of Provincetown, Mass. Every man sprang to duty. The cheerful chanty was roared out, and heard above the howl of the gale. The cable held very hard, and when it surged over, the windlass sent the men flying about the deck, as if a galvanic battery had been applied to their hands. The vessels head was often buried in the solid seas, and the men, soaked and sweating, yelled out hoarsely, Paddy on the Railway, and Were Homeward Bound, while they tugged at the brakes, and wound the long, hard cable in, inch by inch. Additionally, Clark referred to a lead singer as a chanty man, and he referred to stevedores unloading cargo from the vessels as chanty men and a chanty gang. This reference to singing stevedores as chanty men connects the genre to a still earlier reference to chanty man as the foreman of a work gang and the lead singer of their songs. HL_DDS_0000000000096705.png' alt='Lay Down Sally Midi File' title='Lay Down Sally Midi File' />Around the late 1. Charles Nordhoff observed work gangs engaged in a type of labor called cotton screwing in Mobile Bay. Characterized by Nordhoff as one of the heaviest sorts of labor, cotton screwing involved the use of large jack screws to compress and force cotton bales into the holds of outbound ships. Work gangs consisted of four men, who timed their exertions in turning the jack screw to songs called chants. Singing, or chanting as it is called, is an invariable accompaniment to working in cotton, and many of the screw gangs have an endless collection of songs, rough and uncouth, both in words and melody, but answering well the purposes of making all pull together, and enlivening the heavy toil. American Old Time fiddle music practice MIDI key of D. Check out videos of Elmo Peeler playing original boogiewoogies on YouTube here NoteforNote Piano Transcriptions of the Keyboard Track in Pop Songs. This page updated on January 15, 2015. Get Beautiful Sheet Music from MIDI Files notation musician turns any MIDI file into sheet music, so you can watch the. Lay Down Sally Midi File' title='Lay Down Sally Midi File' />The Roomba 900 Series offers a Clean Map Report, which maps your home as it vacuums, improving its movement and telling you how well it cleaned. But to get that map. Eine groe Auswahl von MidiDateien zum kostenlosen Download. A great selection of Midifiles for free Download. Telewerkstatt Leutschach. Which versions of the later Folia have been written down, transcribed or recorded in alphabetical order of composer, letter C. NOTE all songs, as appropriate, from my Minstrel Songs, Old and New webpage are also listed here, for their chronological listing convenience. A sea shanty, chantey, or chanty is a type of work song that was once commonly sung to accompany labor on board large merchant sailing vessels. The term shanty most. Lay Down Sally Midi File' title='Lay Down Sally Midi File' />The foreman is the chanty man, who sings the song, the gang only joining in the chorus, which comes in at the end of every line, and at the end of which again comes the pull at the screw handles. The chants, as may be supposed, have more of rhyme than reason in them. The tunes are generally plaintive and monotonous, as are most of the capstan tunes of sailors, but resounding over the still waters of the Bay, they had a fine effect. SpellingeditThe spelling of the term has never been fully standardized, and its form appeared quite inconsistently until after the 1. While the above noted, American sources used a ch spelling, the next published appearances of the term, coming in two very similar articles from British publications from 1. Early writers who gave substantial due to the genre i. Addressing the Royal Musical Association in 1. English musicologist Richard Runciman Terry put forward his belief that the genre should be spelled with sh on the grounds that the spelling should correspond obviously to pronunciation. In his subsequent shanty collections he used this spelling consistently. American shanty collector Joanna Colcord made great use of Terrys first book corresponding with the author, and reprinting some of his material, and she, too, deemed it sensible to adopt the sh spelling for her 1. Terrys works were the source for those among the earliest of commercial recordings see below and popular performances of shantiesespecially because, unlike many earlier works, they provided scores with piano accompaniment and sufficiently long, performance ready sets of lyrics. Colcords work was also very handy in this regard, and was used as a source by prominent British folk revival performers like A. L. Lloyd and Ewan Mac. Coll. Terry and Colcords works were followed by numerous shanty collections and scores that also chose to use the sh spelling,1.